Podcast episode
HELI-D CEO Simon Powell on Turning the Sky Into Digital Media
TL;DR
A founder interview with Simon Powell, CEO of HELI-D, a company that flies digital LED billboards mounted on helicopters as a premium out-of-home advertising format. It's a niche experiential/DOOH (digital out-of-home, meaning ads on physical screens in public spaces) play with campaign anecdotes from MTV, Disney, Pepsi, and Xbox — light on ad-tech market structure, measurement standards, or AI/regulatory substance. Skip unless you specifically care about high-impact experiential DOOH or were curious about the helicopter ad seen at the POSSIBLE conference.
What was covered
- Company origin: Simon Powell left investment banking (London, then Australia) to combine an interest in aviation with advertising, starting with helicopter banners — described as 4–6x larger than traditional plane banners, roughly 20,000 square feet.
- Digitization journey: First iteration used two helicopters and infrared "augmented projection" to lock content onto a flying banner, creating a "flying cinema screen." Post-COVID, the team (with business partner Ryan Osborne) moved to lightweight carbon-fiber LED screens flown under a single helicopter, day or night, at 6mm pixel pitch.
- Marquee campaigns: First big launch was the 2016 MTV Video Music Awards with Viacom over the Hudson River (promoting hosts Ariana Grande and Nicki Minaj). Followed by a five-year Disney ad-sales partnership, multiple Pepsi Super Bowl activations, a Star Trek USS Discovery replica flown under a Black Hawk, and George Clooney's Catch-22 activation (22 WWII fighter planes in formation, a wrapped B-25 bomber over New York).
- Measurement and engagement: At Australia's Melbourne Cup (up to 100,000 people/day over four days), a sports-betting client ran live increased-odds offers with a large scannable QR code; engagement reportedly cut needed flight time from 7 minutes (day one) to 90 seconds (final day) due to anticipation.
- Retargeting partnership: At the POSSIBLE conference, HELI-D worked with Blue Bite on "shadow fencing" to retarget viewers via mobile — a new capability for the company.
- Xbox activation: Promoted Ninja Gaiden 4 by turning the screen into a live video-game display, with a gamer/rapper (Swaley) playing live from a second helicopter at "zero latency." Microsoft reported ~1 billion impressions across verticals beyond core gaming audiences.
- Industry-adjacent clients: Flew to launch VaynerX's new agency and ran activations referencing Stagwell (David Sable cited as impressed).
- Future of the format: Powell expects drones to eventually compete as battery and power-to-weight lift technology improves, but says helicopters currently win on lift and flight duration. Positions HELI-D as a premium "wow factor" component within broader DOOH packages, not a standalone medium. Plans to be at Cannes and aims to fly HELI-D there next year.
Notable claims & predictions
- Powell: "It's an emotional experience when you see something that breathtaking flying through the sky" — argues aerial ads drive inbound, unprompted earned media (text messages, social shares) that traditional billboards and DOOH don't generate.
- Powell (Melbourne Cup): Engagement was so strong that planned flight time dropped from 7 minutes to 90 seconds because "everyone knew it was coming" — claimed "unprecedented level of engagement that has never been achieved with aerial media before."
- Powell (Xbox): The Ninja Gaiden 4 activation delivered "a billion odd impressions across so many different verticals" the brand wouldn't normally reach.
- Powell on drones: "Will that technology keep innovating to a level where it does match a helicopter and it becomes a viable option? Absolutely." But helicopters remain "unrivaled in terms of how much it can lift and how far it can fly."
- Powell on positioning: HELI-D is best "packaged together with all those other digital out-of-home mediums" — explicitly framing itself as a high-impact tentpole/brand-launch layer, not a programmatic or always-on channel.
Why this matters for ad-tech operators
- Marginal but instructive on experiential DOOH economics: This is a premium, event-driven, "wow factor" format — useful as a high-impact tentpole add-on for brand launches, not a scalable or measurable programmatic channel. Operators evaluating experiential line items should treat it as earned-media amplification rather than reach efficiency.
- The measurement gap is the real ad-tech story: Powell openly admits HELI-D is still "working with several companies" on how to translate to standard CPMs (cost per thousand impressions), and the claimed metrics (QR scans, "a billion impressions") are vendor-reported and unaudited. The Blue Bite "shadow fencing" mobile retargeting tie-in is the only thread that connects this format to the addressable
Full analysis
Decision Council — Briefing Mode
Step 1 — Frame
The story: A founder pitch for flying LED billboards on helicopters — a premium, event-driven out-of-home (OOH) format. The interview is long on spectacle (MTV, Disney, Pepsi, Xbox) and short on the things ad-tech operators actually buy on: audited measurement, repeatable CPMs (cost per thousand views), and addressability.
Implication being decided: Should an ad-tech or media-buying executive give this format any real attention — as a line item, a partnership, or a signal about where high-impact OOH is heading?
Reversibility: Type 2 (easy to reverse). Nobody is restructuring a roadmap around helicopter ads. The only "decision" is whether to allocate a sliver of a brand-launch budget or ignore it.
Honest impact assessment up front: this is low-impact for the broad ad-tech ecosystem. It's a niche experiential novelty. The one genuinely interesting thread — connecting an aerial impression to a phone via mobile retargeting — is borrowed from a partner (Blue Bite) and isn't really about helicopters at all. I'll keep the council short and proportionate.
Timeline: No forcing function. Cannes 2026 flyover is the only date, and that's a marketing event, not a decision deadline.
Step 2 — The Council
I'm picking three. Six would be theater for a story this size.
The Skeptic The load-bearing claim is "a billion impressions" and "record engagement." Both are vendor-reported, unaudited, and definitionally slippery — a helicopter over a stadium plus the social/news pickup can be counted a hundred ways. The Melbourne Cup story is told as a triumph (flight time cut from 7 minutes to 90 seconds) but you could read it the opposite way: the regulator shortened the window, and the founder reframed a constraint as demand. For the non-specialist: when a vendor controls both the campaign and the scorecard, treat the score like a press release, not a result.
The Customer / Media Buyer I buy this exactly once, for a tentpole launch, and I expense it to "earned media / PR" — not to a reach or performance line. It competes with a Sphere takeover or a stunt activation, not with my DSP spend. The real problem: I can't plan with it. There's no rate card I trust, no third-party verification, and weather/airspace risk on the one day that matters. For the non-specialist: it's a fireworks show, not a media channel — great for a moment, useless for a quarter.
The Operator The interesting operational tell is "shadow fencing" with Blue Bite — using location signals to retarget people who saw the billboard on their phones later. That's the only piece that touches the addressable ecosystem, and it's not unique to helicopters; it's standard OOH-to-mobile retargeting bolted onto a flying screen. What breaks first: airspace permits, latency on the "live gaming" gimmick at scale, and any privacy scrutiny on geo-fencing crowds without consent. For the non-specialist: the clever part isn't the helicopter — it's quietly tagging the crowd's phones, and that's the part regulators will eventually care about.
Step 3 — The Tensions
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Is the measurement gap fatal or fixable? The Customer says it disqualifies the format from any serious budget line. The Operator says the Blue Bite tie-in is a credible start at closing it. But note: closing it makes the retargeting valuable, not the helicopter.
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Earned media vs. real impressions. The Skeptic and the Customer actually agree the value is PR amplification — text messages, social shares, news pickup. If that's true, the honest pitch isn't "a billion impressions," it's "one memorable moment that travels." The founder is selling the former because it sounds like media math.
Step 4 — Synthesis
What this actually hinges on: whether aerial OOH can ever produce auditable, comparable metrics. Right now it can't, and the founder admits as much ("still working with several companies" on CPM translation). Until that changes, this is an earned-media stunt that occasionally gets paid for out of a brand-launch budget.
Which way the council leans: Unanimously low-priority for ad-tech operators. No publisher, DSP, SSP, identity, or measurement leader needs to do anything in response to this episode.
The one transferable insight worth keeping: the OOH-to-mobile retargeting pattern (Blue Bite's shadow fencing) is the real ad-tech story buried in a helicopter story. High-impact physical media — Sphere, stadium screens, transit takeovers, and yes, flying billboards — is steadily trying to attach a digital follow-up so it can be measured like everything else. That convergence is worth tracking; the helicopter is not. Identity and measurement vendors are the quiet beneficiaries every time a "wow" format goes looking for a way to prove it worked.
What to verify if you genuinely cared: ask for one third-party-audited campaign (verified reach, not modeled impressions) and the consent/legal basis for the geo-fencing. Both answers will tell you everything.
My view: Note it, don't act on it. If you run an experiential or brand-launch practice, keep HELI-D in your back pocket as a once-a-year stunt vendor. Everyone else can skip it. The episode's value to an operator is the reminder that the measurement-and-addressability layer is now eating even the most analog corners of advertising — that's your business, not the helicopter.
What did we miss? Is there a persona we should add for this specific decision? A General Counsel could earn a seat if you think the crowd geo-fencing angle has real privacy exposure — but for a story this small, I left it out. Tell me if you'd rather I steelman the experiential-media buyer's case harder.
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